The publication includes two studies concerning the work, ideas and speech of Yannis Tsarouchis on art, as well as his wider presence in the public sphere during his life. Both focus particularly on forms of censorship of his works with homosexual themes. The first study relates to the repressive intervention of the Greek Police (1952), while the second to the indirect silencing of this theme from the critical reception and from the techno-historical interpretations of his painting, as well as the entire public handling of the issue of homosexuality by himself. It also attempts a critical interpretation of his ideological pursuits, his biotheory and his ideas on art and ethics, as well as his strategies of autobiography/self-interpretation and self-emergence in the artistic field.