The publication presents the conclusions of the technical study of a group of icons signed by Angelos, the most celebrated Cretan painter of the 15th century. For the first time, his technique is studied meticulously, through the implementation of a variety of photographic and analytical methods, commonly applied for the study of works of Renaissance artists.
Texts: Kalypso Milanou, Chryssa Vourvopoulou, Lena Vranopoulou, Alexandra-Eleni Kalliga, Monachi Daniilia, Elpida Minopoulou, Konstantinos Andrikopoulos, Ioannis Karapanagiotis, Athina Alexopoulou, Agathi-Anthoula Kaminari, Jenny Perdikari
Translation: Valerie Nunn, Dimitris Oikonomou